Sam: And Steve, when you, Daniel and myself all spoke at the All Within My Hands function, I said we were recording in Savannah and this was months and months ago, obviously. And since Dave is up and relocated back to Savannah, Georgia where he was born and we recorded a lot of the vocals in Savannah, Georgia, actually. He was entrusted with it by the owner who bought it, saved it from decimation. And it was interesting that we were recording there with Dave when Dave was overseeing or curating that space. It feels like a chapel or something in a way. Josh: Well, it does almost a bit of what a church might achieve. And of course it's on Music Row, it's like downtown Nashville, so they could have just as easily cut the whole place down and made it apartments and made a f**k load of money but it's still there. But yes, it is very blessed and haunted in many ways. ![]() Sam: There's one light in the corner that you are not supposed to turn off because if you turn it off, Chet will become upset. There is some unexplainable energy that runs through the building, whether that is something that literally or physically is happening or if it's something that you've trained your brain to sort of acknowledge but something in there feels special and it is almost a bit eerie when you're by yourself wandering the hallways of that building. And so for you guys just being in that environment, do you feel these different things? So do you feel the ghost when you're in RCA and all of a sudden you start wanting to twang like Chet Atkins? So using the sound of that room on the record, what I feel is very important to the sonic quality of what's going on.īaltin: I got to talk to Slash when he worked with Dave and he and I talked about the fact that especially for him who is one of the quintessential LA musicians, going to Nashville brings up all these different influences. Dolly Parton cut a bunch of stuff there and Chet Atkins and all these very revered players, artists, all kinds of stuff. Sam: We also used a lot of the room sound from historic air quotes, RCA Studio A. You can return an item that is unwanted for a refund but you will be responsible for the cost of returning the item to us, unless we delivered it to you in error or it is faulty.Josh: We feel that it's the best sounding record we've made. We will refund the same means of payment as you used to make your purchase.ĭue to inventory and accounting purposes, we do not exchange items received for different items than originally purchased. If you return a high-value item, we recommend you use a recorded delivery service. It is your responsibility to ensure safe return of the item(s) to us. ![]() You will be responsible for the cost of returning the item to us, unless we delivered it to you in error or it is faulty. When we receive it, you will be refunded the price of the item(s) within 14 days. Once you have cancelled the order, you must send the parcel back to us within 14 days. You can cancel/request a refund of your order within 14 days of receiving it by contacting us by email. REFUND POLICY: (not for Ticket Sales as these are final and non-refundable) ![]() Goods that are faulty or sent in error must be returned to Crash Records Limited, 35 The Headrow, Leeds, LS1 6PU within 7 working days of the item being received by the customer.
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